Royal Opera: Difference between revisions
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The '''Royal Opera''' is a staple of Talossan cultural life. Working with its sister organisations the [[Royal | {{cult}} | ||
The '''Royal Opera''' is a staple of Talossan cultural life. Working with its sister organisations the [[Royal {{pengo}} Heavy Opera Company]] and the [[Talossan Football League]], the Royal Opera has been responsible for a blossoming of operatic awareness in the Kingdom. | |||
Opera, an art form mythically original with Talossa's Berber forebears, is fostered by the Royal Opera as nowhere else. Heeding the insistent, if mythical, calls of their common heritage, Talossans of all stripes come together to enjoy the opera. Indeed, the art of the Talossan opera lives on in original operatic works written and composed by today's Talossans, and performed for the first time on the world stage by the Royal Opera (or at least they would be, if the Royal Opera ever gets around to performing them). | Opera, an art form mythically original with Talossa's Berber forebears, is fostered by the Royal Opera as nowhere else. Heeding the insistent, if mythical, calls of their common heritage, Talossans of all stripes come together to enjoy the opera. Indeed, the art of the Talossan opera lives on in original operatic works written and composed by today's Talossans, and performed for the first time on the world stage by the Royal Opera (or at least they would be, if the Royal Opera ever gets around to performing them). | ||
In addition to putting off providing quality performance of European opera, the Royal Opera has also so far avoided actually providing an avenue for the staging of original works of Talossan opera. Still, the Royal Opera is proud to support native operatic compositions, especially the famous trilogy: | In addition to putting off providing quality performance of European opera, the Royal Opera has also so far avoided actually providing an avenue for the staging of original works of [[Talossan opera]]. Still, the Royal Opera is proud to support native operatic compositions, especially the famous trilogy: | ||
* ''[[El Taloçait d'Isiviglha]]'' (The Berber of Seville; 2007) | * ''[[El Taloçait d'Isiviglha]]'' ([[The Berber of Seville]]; 2007) | ||
* ''[[El Mariatx da Cascourös]]'' (The Marriage of Cascourös; 2008) | * ''[[El Mariatx da Cascourös]]'' (The Marriage of Cascourös; 2008) | ||
* ''[[El Matra Cupaval]]'' (The Guilty Mother; 2012) | * ''[[El Matra Cupaval]]'' (The Guilty Mother; 2012) | ||
Latest revision as of 20:25, 15 July 2017
The Royal Opera is a staple of Talossan cultural life. Working with its sister organisations the Royal Péngöpäts Heavy Opera Company and the Talossan Football League, the Royal Opera has been responsible for a blossoming of operatic awareness in the Kingdom.
Opera, an art form mythically original with Talossa's Berber forebears, is fostered by the Royal Opera as nowhere else. Heeding the insistent, if mythical, calls of their common heritage, Talossans of all stripes come together to enjoy the opera. Indeed, the art of the Talossan opera lives on in original operatic works written and composed by today's Talossans, and performed for the first time on the world stage by the Royal Opera (or at least they would be, if the Royal Opera ever gets around to performing them).
In addition to putting off providing quality performance of European opera, the Royal Opera has also so far avoided actually providing an avenue for the staging of original works of Talossan opera. Still, the Royal Opera is proud to support native operatic compositions, especially the famous trilogy:
- El Taloçait d'Isiviglha (The Berber of Seville; 2007)
- El Mariatx da Cascourös (The Marriage of Cascourös; 2008)
- El Matra Cupaval (The Guilty Mother; 2012)